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Amanda Goldthorpe-Hall (CMT)![]() Amanda is currently in the cast of The Sound of Music at The London Palladium, playing the role of Frau Zeller and understudying the Mother Abbess. She is the Principal of Boost Performing Arts, a Hertforshire Theatre school and theatrical agency, and is also working on her PhD on ‘The Singing Voice in the Context of Musical Theatre’ with the University of York. She has gained her CMT in Estill Voice Training with Reeve & Møller. TheatreLynne A Grand Night For Singing (The Byre, St Andrews), My Fair Lady (Larnaca, Cyprus), Fairy Stardust Jack and The Beanstalk (The Gordon Craig, Stevenage), Mrs Winthrop (cover) & Mrs Medlock (cover) in The Secret Garden (RSC Stratford Upon Avon & Aldwych, London), Carlotta (cover) The Phantom Of The Opera (UK National Tour), Mrs Potts (cover) Disney’s Beauty and The Beast (Dominion, London), Evita (Zouk Amphitheatre, Beirut, Oslo Spectrum & UK National Tour), Carlotta Das Phantom der Oper (International Tour), Miss Mysticism Love Life (Barbican, Lost Musicals Season). Directing TheatreElegies for Angels, Punks & Raging Queens (Jermyn Street & Regional Tour), Gypsy, The Wiz, Lucky Stiff, Godspell, Into The Woods, Honk!, Pippin, A Musical Revuesical. TelevisionMaureen Prendergast The Sooty Show (CITV), Junge Hausfrau Teller (Deutsches TV). RecordingThe Hitchhikers Guide to The Galaxy (‘So Long & Thanks for All the Fish’, movie soundtrack for Disney at Abbey Road Studios), The Secret Garden (Original Cast Recording), Des Phantom der Oper (Original Cast Recording), Something Special (Celebrity Charity Recording), Our Country’s Good (demo), Scheherazade (demo), Gameboy (demo). Amanda Goldthorpe-Hall’s Contact Details83 Washington Ave Phone: +44 (0)1442 408150 © 2007-2010 Klaus Møller and Matthew Reeve | Terms | Contact |
About Estill Voice TrainingReeve & Møller is a premier provider of Estill Voice Training – an approach to voice training that merges science and art. It separates training into three areas of proficiency: Craft, Artistry and Magic and develops vocal expertise as an athletic discipline, integrating the results of current voice research with voice training. The system is useful and practical for all voices, abilities and genres. It is free of aesthetic bias, meaning any non-abusive voice quality is accepted and nurtured, embracing cultural and musical diversity. › Estill Voice Training |
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